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Napoleonic propaganda
During his rise to power and throughout his reign, Napoleon not only benefitted from circumstance but also cultivated his own image through the use of propaganda. Napoleon excelled at garnering public support and capitalizing on his victories to convey a persona associated with success and heroism.〔Hanley, ''The Genesis of Napoleonic Propaganda'', 23.〕 He utilized propaganda in a wide range of media including theater, art, newspapers and bulletins to “promote the precise image he desired.”〔Hanley, ''The Genesis of Napoleonic Propaganda'', 141.〕 Napoleon’s bulletins from the battlefield were published in newspapers and were well read throughout the country.〔Censer and Hunt, ''Liberty, Equality, Fraternity'', 141.〕 He used these publications to exaggerate his victories and spread his glorified interpretation of these successes throughout France.〔
== Medallions ==
In addition to more standard methods of propaganda, such as the press, Napoleon capitalized on the popularity of medallions for his own purposes. Specifically, Napoleon used medallions as tools to promote his desired image both before and after he became Emperor. In the end, he commissioned more medals than Louis XV and Louis XVI combined.〔Hanley, T''he Genesis of Napoleonic Propaganda'', 144.〕 Of particular importance was Napoleon’s first set of medallions, the “Five Battles” Series, produced to commemorate his victories during the first Italian campaign.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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